Admissions Open in National Institute of Design

The foundation of NID was an aftereffect of a few powers, both worldwide and nearby. The late 1950s saw a juncture of these powers, and this time would be a huge one for Indian culture and instruction. This was a period of reappraisal and reproduction in a recently free India. A youthful country was stood up to with the mammoth assignment of country working, of offsetting age old conventions with current innovation and thoughts. The Modern Movement, the way of thinking of Machine Esthetics, and progressive experimentation in human expressions, engineering and configuration were all occurring simultaneously. There was a quest for the Indian character over all parts of life. 

In 1955 Pupul Jayaker, the prominent author on Indian art customs and the organizer of the Indian Handlooms and Handicrafts Export Council (HHEC) met the prestigious American architect Charles Eames at the Museum of Modern Art in New York. The Museum had sorted out an exceptional presentation titled The Textiles and Ornamental Arts of India. This would be the start of a long lasting exchange between these two famous people. 

Simultaneously the Government of India was thinking about building up an establishment of plan, under the exhortation of Pupul Jayaker and other similarly invested individuals. The 1950s were a time of fast industrialization in India and plainly, the requirement for such an establishment became more grounded. In 1957 the Government of India mentioned the Ford Foundation to welcome Charles and Ray Eames to visit India. Charles and Ray Eames headed out to all pieces of the nation, meeting and conversing with essayists, craftspeople, modelers, researchers, industrialists, instructors and logicians. They took many photos of their movements.